Tuesday 11 August 2015

Songs of Praise, Calais and that old BBC bias thing

So the BBC proposes to do an edition of Songs of Praise from the Calais refugee camp. So what, you may think. The Daily Express is not so sanguine, splashing the story on its front page complete with quotes from Nigel Farage.

You don't have to read what he says. You can imagine very easily.

Is the BBC right?

Let's start by agreeing that migration is a sharply political issue. People (and parties) are divided about how much immigration we should have, and who should decide how much we should have. The issue of our continued EU membership might well turn on the question. We're also divided about the issue of African refugees. How should we treat them? How many should we take? Should we help them cross the Med? Should we round them up and send them straight back? Should there be a formal allocation across EU countries? What is the best way to help Africa become a continent people want to migrate to instead of from?

Against that background, a programme which humanises and makes poignant the plight of those who have risked their lives to cross Europe in the hope of a better life (even if many of them are economic migrants) has an unmistakable political resonance. Sympathy for the migrants is easily equated to sympathy for migration.

Of course the BBC can't be above politics. It is imbued with it. And the political outlook of its staff is reflected every day even in the non-news programmes it makes. I've been arguing for years that if you tend to employ humanities graduates you'll tend to get a certain type of political outlook. A long succession of current and former BBC staff have confirmed this suggestion of emergent group-think (the phrase is Andrew Marr's).

As so often with the question of BBC bias, the most compelling signs are of the dog-that-didn't-bark variety. Where are the current and former BBC staff complaining of right wing bias? There aren't any. None. I've never heard of one.

I wrote quite recently here about the film Pride (W1A, Pride and the BBC). This, readers will remember, is the BBC backed film which followed the tribulations of gay men and women from London trying to help striking miners in the (fiercely socially conservative) South Wales valleys. I enjoyed Pride, but I couldn't help asking myself whether BBC Films would have put its money behind a film which took the other view.

"Would it", I wrote, "have backed a film showing Arthur Scargill as an evil communist intent on bringing down the democratically elected Thatcher government? Or about Jack Jones taking money from the KGB? Would it have put money behind a story about dutiful women of South Wales Chapel righteously upset about the promiscuous Aids-bearing homosexuals from the capital? Even to ask the question is to realise how laughably unlikely that would be."

And so with Songs of Praise. By all means go to Calais and do a programme humanising the awful tragedy taking place there. By all means show the plight of the migrants. But do the other thing as well. And that's the problem. The BBC wouldn't. Pace Pride, can you imagine Songs of Praise going to, for example, an unemployment blackspot in the North East and showing the plight of people who say they can't get jobs because the local industries are now the province of East Europeans? Can you imagine them doing the programme from places where people can't get their kids into schools because of the pressure from migrants and their families? Or from places where the local health service is facing bankruptcy because of increased demand?

Me neither. The BBC would just never do it. Why not? The most obvious answer is because it tends to employ people who tend to think that immigration doesn't have a downside. I'm not suggesting that, to use the Songs of Praise example, there would be a production meeting in which the possibility of going to an area of East London frequented by the gay-hating Muslim Patrol (see internet for details) was mooted and rejected. I'm saying the possibility would never occur to them. The Corporation just doesn't employ people who think like that.

You have to ask yourself, at a time when Charter renewal is only a few months away, with a newly installed Conservative government confident in its diagnosis of BBC bias, in a context where alternative funding arrangements which could replace the licence fee are increasingly accepted across the industry, how could they be so stupid as to present their enemies with such a simple tap-in?

I hope the Government doesn't throw out the BBC baby with the bathwater. But if they do the Corporation will only have itself to blame.